With the advent of Jet-Ski Waverunners used for "tow-in" access to gigantic waves that paddle-surfers could never reach, this three-year, globe-trotting quest for the world's biggest waves is nothing less than spectacular. As documentaries go it's a bit cruder than 2003's other surfing movie, Step Into Liquid, and many of the same world-class surfers appear in both films (including 49-year-old Ken Bradshaw, still going strong). But Billabong is unrivaled in its abundance of jaw-dropping footage--most of it shot from helicopters hovering in close proximity--showing the sheer, terrifying scale of breaking "tubes"--some reaching 100 feet--at the most challenging big-wave locations on the planet, including Maverick's at Santa Cruz, California; Cortes Bank off the Pacific Coast; "Cyclops" in Australia; Mundaka, Spain; and the treacherous "Jaws" reef on the coast of Maui, Hawaii.

While touching on various hot topics such as safety training, serious wipe-outs, swell-tracking technology, female surfers (like the great Layne Beachley), and hydrofoil surfboards (billed as "the future of the sport"), director Philip Boston applies a casual, competitive structure that's too diffuse and lightweight to have much impact. But when the film focuses on the climactic "Jaws" showdown between Carlos Burle and Mike Parsons, Billabong Odyssey achieves a state of raw power and spiritual intensity, culminating in Parsons' best-ever 10-point ride on a massive tube that constantly threatens to consume him. As dozens of adrenaline-junkie surfers strive for new horizons of unprecedented skill, Billabong Odyssey chronicles their efforts with amazing bird's-eye cinematography. For surfers and non-surfers alike, this movie must be seen to be believed. --Jeff Shannon